Japan's Biggest Publishing House And One Of The World's Largest...

Copyright is pretty big to a major publisher, in case you can't tell.

You may not know the name Shueisha off the top of your head, but you likely know the works it is responsible for. Under its Jump line of magazines, Shueisha published One Piece, Dragon Ball, Demon Slayer, and recent mega hit Chainsaw Man. This is all to say that Japan's biggest publishing house owes its success to the works of hundreds of works and their creators. It seems OpenAI didn't quite get this memo, as it's being accused of infringing copyright.

Shueisha recently put out a statement aimed at OpenAI, and specifically its Sora 2 video generator. At the end of September, we got a glimpse of Sora 2, and one of the first viral posts from this tool was deemed "Temu Blue Exorcist", which is a reference to another manga published by Shueisha. This isn't the first time OpenAI's AI generation tools were used to ape anime and manga, with OpenAI CEO Sam Altman even sharing a picture of himself in Studio Ghibli style. As of the time of writing, Altman's profile picture on X is still in Ghibli style.

That statement says (machine translated): "These videos, which infringe on copyrights for anime and characters, were generated using AI learning. Advances in generative AI should be welcomed as they enable more people to share the joy of creation and enjoy creative works. However, this should not be achieved by trampling on the dignity of artists who poured their heart and soul into their world and violating the rights of many others."

The complaint argues that generative AI tools should give creators broader and more effective measures to avoid having their work scraped, other than a single opt-out system. Opt-out systems often get ignored and don't adequately give informed consent to parties whose works are being used. Shushei continues, "Regardless of whether generative AI is used or not, we will take appropriate and strict action against anything that we determine to be infringing the rights related to our works"

The world's biggest manga publisher isn't without its criticism when it comes to the artists it relies on. Being a big publishing house, it can make many young mangaka (manga creators), but, as reported by The New Yorker, it's gruelling work and "akin to running a marathon at a sprinter's pace".

In the New Yorker's interview with Takeru Hokazono, the creator of Kagurabachi, Hokazono revealed he would only take one evening a week to himself, and that's an expectation in the wider

Source: PC Gamer